Pez Bookshelf: Beyond the Finish Line
Unlike other sports that take place in a confined environment—the tennis court, football stadium, or cricket pitch, for example. Bicycle road racing is open to the elements and events happen in front of a diverse backdrop featuring geographic highlights of many countries. Add to this ever-changing weather, different road surfaces, colourful jerseys and the rolling circus atmosphere provides the photographer with limitless opportunity.
Philipp Hympendahl is a commercial photographer working for one of the world’s leading detergent companies in Germany but when he is not taking snaps of soap boxes or whatever he might do there he turns a passionate lens on bicycle racing. His aim is not that of a typical sports journalist. Rather than capture the well-known champions and classic races, he and Tim Farin, who has contributed short essays, state in their introduction to their recent book “Beyond the Finish Line” that “they encourage their audience to take a different view: to relax, to observe, to feel the beauty of the moment, the emotions and actions, all of which leave room for imagination.”
So what we have is a kind of art book, with cycling as a unifying theme. There are no captions to the photos, although the event is indicated (“Tour de France 2013,” “Paris-Roubaix 2014,” “Amstel Gold 2013” to note the famous ones; “Circuit Race Baarlo 2014,” “Arctic Race of Norway 2014 (!),” “Boxmeer “Daags Na De Tour” 2013” to name the less obvious). The photos are all of a technically high standard and include close-ups of fans, long shots of the peloton in action, moments of intense action and others of serene reflection.
For those having experienced the thrill of pro racing in Northern Europe, many of these photos will be highly evocative. Particular favourites would include a gentle downhill between the crowd barriers, the rolling hills of Limberg ahead, during the Amstel Gold race; or Paris-Roubaix in 2012, with a lone rider challenging the pavé, emerging from the darkness on the right side of the photo. Another superb photo shows the group speeding along the cobbles through the Arenberg Forest, a kind of divine light shining down, spectator-witnesses in near-darkness. Many of the photos are not necessarily realistic but have been treated to highlight elements. For example, the grey starkness of Mont Ventoux set off only by some red Carrefour banners and the red of the weather station tower at the top.
In addition to the evocative photos, there are some charming short essays by Tim Farin about the pleasures of cycling, mixing the joys (and pains) of the amateurs with the world-weariness of the professionals or observations of their lives. The pieces are not linked to specific photos but are a scripted counterpoint to the images.
In addition to the photos taken primarily in 2012-2014, there is a wonderful image of the 2001 Tour on the Alpe d’Huez, “La Photo,” which was printed in an edition of six in the massive dimension of 1.80 m x 2.30 m. It was shot on a large format camera and one of the prints can be seen the Tour of Flanders Museum in Oudenaarde, Belgiium. There are still some prints available and after enjoying “Beyond the Finish Line” one might be tempted to clear up wall space for this artwork.
“Beyond the Finish Line” with photos by Philipp Hympendahl and text by Tim Farin
126 pp., hardcover, Edition.Hympendahl, Düsseldorf, Germany, 2014
Available from the publisher at www.edition-hympendahl.de/en/ for 29.00 Euros and shipping.
Also available through the website are fine art prints of many of the photos featured in the book.
When not trying to envisage his time trials as performance art, Leslie Reissner may be found living in too large a format at www.tindonkey.com.